In a year I am looking at the same world from a slightly different position. Taken from some eighty-odd locations it creates a sort of holographic effect: the camera circles an imaginary point in space. The imaginary point is me. The camera is also me, recording myself. But only by paying attention to the background, the scene against which—the scene that surrounds me can you tell that I’m the one standing still and it’s the world that’s spinning. That’s relativity: the feeling you feel which the friction, the distance between you and the scene you stand with, creates. The friction is you. You are sound you make when the world rubs up against an imaginary point in space. Approximately. That said all this occurs at speeds so slow you can barely see it—except when your life flashes before your eyes. It creates a depth that’s always there, another dimension that occurs only when the universe observes itself, pays attention to the imagination of its eyes. It creates a kind of fiction and pain. It surrounds you.